Tag Archives: Jewelry Making

Busy? Yes, busy…

Hi all! I have been missing for a month (almost 2!?!) due to a very full teaching schedule and lots of work – which I am NOT complaining about! I have successfully pitched a load of new spring classes for my local evening gig, at the Innovative Bead Expo in April, and Tucson, of course. I will also be doing a live webcast on January 28, 2018 for CraftCast and also live from the JewelryTools.com classrooms at the JOGSShow in Tucson just a few days later. It’s been a busy but delightful fall full of creating demo objects, class proposals, handout design and creation and all the other fun stuff that goes with being a jewelry instructor and having a full, rich and rewarding life. If you are interested in whats on deck, my current teaching schedule is posted here.

So sorry, but this post is a quick hit, because I am on deadline for my latest At the Bench column for the MJSA Journal, and one other secret: I am writing my second book as we speak. It is scheduled for a Fall 2018 release, will be a jewelry making book, and I am really thrilled with it so far. I took a break to blog because I reached the halfway point late yesterday, and now the fun begins: creation of the jewelry objects and project pieces, WHOO HOO! Watch my Instagram feed for photo updates…

So, hang in everybody, I hope you are all keeping sane, resisting lunacy, keeping busy and having fun making work. I know I am. I’ll try harder to post more often, so see you sooner next time… I hope!

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Touching Base from Touchstone

helen-driggs-touchstone

Touchstone Center for Crafts is located in Farmington, Pa.

Recently I was invited to be a presenter at the Touchstone Center for Crafts for an awesome annual event called The Jim Campbell Hammer-In and Alchemists Picnic. Other presenters included the amazing Eric Burris, Rebecca Strzelec and Laurie Brown on the jewelry track and Caitlin Morris, Bob Rupert and Jerry Veneziano on the blacksmithing track. It was a full, rich, rewarding day and the demos were fun, informative and well-worth attending. I had never been to Touchstone, so when organizer Wayne Werner invited me to present, I jumped at the opportunity.

Touchstone Center for Crafts runs a full schedule of workshops, classes and year-round activities, the metals studio is fully equipped, and the setting could not be more serene and peaceful. Forget your cell and computer, abandon the endless beeps, chirps and never-ending electronic intrusions of daily life and just focus on making work — my idea of heaven on earth. Centrally located for Pennsylvania, New Jersey, Virginia, DC, Maryland and upstate New York or Ohio residents, it’s worth the drive out the PA Turnpike to attend a class there. And do not miss the food either, because they really, really feed you well and make every effort to meet any dietary restriction or preference!

helen-driggs-blacsmith-samples

The Blacksmith shop is one of the best I have ever been to — here are some of many twisted iron samples.

Because I have been screaming busy for several months preparing some grant applications, doing digital housekeeping, creating new work and curriculum work and doing lots of freelance writing and teaching, it was great to just get away from my computer for a weekend, eat food prepared by a talented cook, see other members of the metals tribe, listen to nature and chill out. I did not realize how much I sorely needed a break until after Saturday’s lunch, when my full stomach and tired hit me like a ton of bricks…

Next year, I am planning on attending the Picnic for the fun of it. Or, maybe teaching a workshop there leading into it, or following after. Either way, I intend to be there or be square in 2018.

My favorite part of the weekend was the mokume gane demo by talented Eric Burris (he has workshop openings, I am totally going) who has invented an affordable, ingenious small-scale mokume gane kit that works with an acetylene/air torch in your average home studio. Can somebody say awesome? What a brilliant idea, and what an amazing artist.

eric-burris-genius-mokume

Eric’s amazing setup allows you to create mokume gane in the average home studio.

The metals studio is fully equipped with benches, torches and flex shafts, and situated on the hill down from the blacksmith shop. There is also a secret mosaic studio, spring houses, a kitchen and flower garden, a hot glass studio, the main hall and gallery, dorms and camping facilities, so you can go rough or not. There are bonfires and sand casting at night, plus myriad other ways for metalheads to entertain themselves.

Basically, I can’t recommend Touchstone and the Alchemist Picnic enough. If you live in the region, you owe it to yourself to attend a workshop there, visit the center, or at least join.

So, check out my photos and links, and if you are in the Mid-Atlantic region, make it a point to go to the 2018 Alchemist Picnic next year — I’ll be seeing you there!

 


I’ve been a busy Metalsmith…

Since the layoff from the magazine in August, I have been having way too much fun in my studio creating new curriculum pieces for 2017’s upcoming classes in Tucson, for an 8-week introduction to jewelry course at a local adult school, and hopefully, for the August BeadFest in Philadelphia. I am truly lucky because so many people have called and emailed me with an eye on getting a hold of the new, free me to teach, lecture, create video content or write for their respective publications and sites that I am as busy now as I was whilst employed full time. Not. Too. Shabby. If you are interested, you can find my current workshop descriptions here, and my class rosters and signup information here. If you plan to go to Tucson, look me up and I hope to see you there!
PS: Check my Instagram feed for works in progress shots and to see what I am up to these days. I usually post there a few days per week.

On a side note, I have also been busily creating print content in the form of some short technical features, tool reviews and tips, and how-to articles for a large jewelry industry magazine. It’s fun writing that kind of content, and what I enjoyed most/did best in the old job, so I feel extraordinarily lucky these days for the continuity. Thanks universe, you never let me down.

Now that my plate is a little less full of all that time-consuming transitional employment and other real life stuff, I plan to be here more. Keep an eye open for news about upcoming classes, online workshops, heads-ups about magazine articles and projects I have on deck. I will be adding a few pages to this blog for up-to-date ways we can stay in touch, so check here often, because I promise this year will be a fun one. Surely we will need fun in 2017.

And to all of you who have contacted me, thanks so much for your kind words and encouragement. You really have no idea how much it means to me!


Embrace the Unexpected

When I was rather unexpectedly laid off from the day job at the magazine at the end of August, I decided to look on the upside of things — all of a sudden I have lots of time on my hands to spend in my studio without being mentally distracted by the daily demands of a job. Sure, there is anxiety associated with being unemployed, but if you treat the job hunt part of your day like a temp job and just blitz through the finding leads, sending out and following up on stuff to efficiently get it over with, all of a sudden you have hours and hours of unencumbered time at your disposal. It’s actually really awesome. I’ve been sleeping like a rock, eating so healthy it’s scary, suddenly have lots of energy, and strangely, no more acid reflux. I haven’t left the house for weeks except to take a daily walk around my local lake, or to visit the mailbox or work in my garden.

All this positive force means I’ve been making work like a fiend, sending out class proposals, applying for residencies, shaking up some freelance work and teaching workshops, organizing my paperwork, cleaning up my digital assets, mastering some code, getting the book idea that’s been dancing in my head for about 8 months committed to a worddoc, and generally investing 100% of my creative energy into ProjectHelen instead of ProjectElsewhere. Hate to sound selfish, but ProjectHelen is so rewarding because there are actually tangible rewards when you invest in yourself. I could really get used to this…

Anyway, quick word of reassurance — I promise will still be writing about Tools and Bench Tips here on a regular basis. My last formal column will run in the November 2016 issue. For the past few weeks, I gave myself permission for an essential and very healing mental break after what went down at the magazine. I just had to allow the trauma to sink in and process itself down and out of me. I am happy to say I am cool with it now, doo-doo happens and, it was a great gig while I had it. Oh, and good luck…

So. Over, next. If you follow me on FB or Instagram, you’ll see I’ve been toying with some video, taking loads of step shots, and creating some new classes for Tucson and BeadFest, plus some other places I hope to reveal soon. Keep an eye on my class descriptions for updates. And now, I can be here more often, too.

Change, they say, is as good as a rest. Um, yep!

 


What is Immersive Design?

HelenDriggs Line Sape Form

Line, Shape and Form are the three most used Design Elements for jewelers.

Lately, I’ve been bombarded with many questions about Design. You see, next weekend, I hope to embark on a new series of site-specific Immersive Design Workshops I have created to help jewelry makers who may not have a formal education in Art or Design understand what exactly design is. My hope for this series is to show how to consciously use the Elements and Principals of Design to create new jewelry works. As an artist, I want to introduce you to the new ways you too can see the world around us that will open all new avenues to creating your own jewelry. But first, let’s address a scary word to the uninitiated: Design.

 

Understandably, Design is a hard concept to get across to a group of folks who may have been conditioned to just make jewelry during workshops or classes that spring from project-based ways of working.

 

We can’t help it — as jewelers, we use materials and techniques to create objects. We make a thing. The only way to learn how to use a specific technique or material is to act it out with something real. So, there has to be some wearable or hold-able result to wrap our hands and minds around, and every teacher must come up with some object to copy that hopefully achieves the results that she hopes to get across during that class. It’s no wonder Design often is sidelined in the process. You are there to copy a thing. Sad, but too true. But please consider this: if you intend to go beyond copying works that others have designed to solve a particular set of teaching objectives, Design eventually has to come into your skills arsenal. I hope I can help you.

Design is a hard concept to communicate using words, because much of it comes from intuitive, feeling or purely visual places — we see or feel or deduce a thing, and then we set about expressing those qualities during the creation of an object. Simply stated, Design is the sum of Form plus Function. As a trained Graphic Designer, I love art and design. I live for design. And, there’s a huge world of exciting and beautiful 2D design I won’t go into here, because we are talking jewelry, right?

HelenDriggs sketchbook

Art: your sketchbook is the place for unbridled expression. Just draw like nobody is watching you!

The interesting thing about jewelry design is that it not only encompasses Art, it also involves Craft. For many, Art and Craft are the same thing, but consider this: there are ways to craft an object that is well designed, extremely useful and which also may or may not simultaneously be a beautiful work of art. Art, Craft and Design can all exist together in one object — or not. So, what the heck?

 

 

Let’s start at the beginning: Art. Art is a human need to express something in a creative way. It’s communication of a feeling, idea, or emotion. It can be beautiful or not. Whether 2D or 3D, Art makes you see or feel something using a creative way.

Helen Driggs Technical Samples

Craft: Models and technical samples are a way to work out fabrication issues while you develop materials and tool mastery .

Then, there is Craft. As jewelers, Craft is our guiding light. Craftsmanship is probably the most important skill we can master, and it takes practice and expertise with many tools and many materials to become a jeweler who makes objects with fine craftsmanship. You don’t need to be an artist to be a fine craftsman, though.
Believe it or not, the mechanical skills required to craft any object can be passed on to other people who can copy or even duplicate the object if they have spent enough time practicing or developing those skills. I am not saying this is easy, because there is tool mastery, and mastery of materials — but you don’t need to be an artist to have them.

 

So what is Design? Like art, design is a human expression of creativity. But design is a process that solves a problem. A designer is an artist who “solves” things through planning, and organized thought and then follows a process to create an object that serves some purpose or some function. As jewelers, the “solution” is usually some object to be worn on the body. Sure, you can craft an object without designing something new or different — like a simple metal band ring. But what if you want to make a band ring nobody has ever thought of before? Welcome to the world of Design.

techjournal

Design: Technical Journals are imperative for jewelers to keep track of patterns, fabrication steps, layouts and plans.

The language of Design is easily understood. There are Elements and Principles and Disciplines and Categories of Design. My Immersive Design Workshop will help you unlock your potential by mastering the Design Language in a fun and approachable way. For two and a half days, we will work together as a team in a location that allows us to go out, look, see, feel, explore and understand with our senses and our hands and minds. You will walk, draw, learn, investigate new ways of welcoming the muse, master the language of design, and learn dozens of new tricks to get in touch with your very own artistic genius already living inside of you. I will show you how to use what you see, hear and are intrigued by to jump start what’s already there. And we will have fun while we do it. There is work too, so don’t think this will be a cake walk — although there will be food, too… It is New York, after all.
Need more info?
Details can be found here: Helen’s Immersive Design Workshop, September 23-25, 2016.


Catching Up on Things…

So, yeah. You may have noticed I’ve been otherwise occupied for some time now, as I’ve been dealing with a few real life issues in my family. But good news: we are out of the woods and into the light now. Sorry for abandoning you, but as they say: family first!
Last weekend, I was very busy teaching all-day and two-day workshops at BeadFest Spring, and I’m sad to report it’s going to be the last show of a 10-year run for that particular event. I must say I am kind of sad to see it go, because that’s how I made the connection with the publishing company I work for, I met my current boss, and got my “dream”job as an editor for Lapidary Journal.
I did love April in Oaks every spring — even when it rained, or snowed, or was too cold, or too warm — because I love meeting new students and starting the warm season energized, inspired and ready to work. But, don’t despair! The annual August BeadFest Show is and will still be on the books, and for sure I will be teaching there every year.
On that note, this is my usual post-BeadFest debriefing, where I answer any and all questions that came in after class from students (so far) and I will continue to add to it through the rest of the month to capture any stragglers. So, without further adieu…

Q: Hi Helen,
I attended your amazing cab making class on Saturday at Beadfest. I planned to order diamond drill bits from the company I usually order metals and materials but when I checked into it I learned that they are very weak on lapidary supplies 😦
Can you recommend a couple of suppliers and which bits you find to be the most durable and reliable. Also, do you have any experience with Diamond Pacific’s Pixie Grinder/Polisher. I know… it’s hard to take a lapidary machine named “Pixie” seriously… but now, thanks to you, I REALLLLLY want to work with stones and the big boy Genie is to much $$$ at the moment. My guess is I should save my pennies for the real deal and not mess with a machine built for rock hounds living in an RV. It’s definitely time for the Spirflame torch to find a new home and make room for new equipment.
Thanks a bunch!
— Gina

A: Hi Gina!
I Like LASCO Diamond for shaped diamond tips for the flex shaft, and the Crystolite brand “Triple Ripple” Diamond Drill Bits. I like The Gem Shop, Inc. and Kingsley North as a great all around Lapidary suppliers, and don’t forget — Diamond Pacific is a full service lapidary and jewelry suppler as well.
For my hands, the Pixie is way too small. I owned a used one for about 6 months, and like all DP equipment, it’s fabulous, really well made and durable. My only “problem” was the petiteness of it  — I could span 4 wheels by stretching out my hand from thumb tip to pinky tip, and needless to say, I went right for a Genie and never looked back. I will be teaching Lapidary again at BeadFest in August, so stop by and say Hi!


Q: Where do you get metal and tools?

A: My favorite suppliers for metals and general metalwork and jewelry making tools are varied. I do have regulars, though:

Metalliferous in New York is always worth the trip for metals, tools, beads, supplies, discontinued parts, findings, chain and other needs. the Store and Mail Order Department is at: 34 West 46th Street; 3rd Floor, New York, NY 10036

Allcraft Tools, also in New York is another not-to-miss vendor. They have a website in progress, however I always suggest calling: 800-645-7124. If you want to go, they are located at: 135 West 29 St.; Suite 205, New York, NY 10001

Rio Grande is a large jewelry supply house located in Albuquerque, NM. They have all the major brand name tools and are well stocked in precious metals and materials for the serious hobbyist to the professional bench jeweler. Their online store can’t be beat when you need something right now. Get on their mailing list for a thick fully illustrated catalog, and browse their giant library of tip and trick videos, tool use videos and instructional materials as well as call the live tech support team during the day. 800-545-6566


That’s it for the moment, guys! Thanks for coming to class and I’ll blog again as soon as I get my studio straightened up… Ciao!


Busy is an Understatement

Feast or Famine. This is the way of life for most creative people. Every artist that I know in every discipline constantly copes with waves of too much/not enough over the course of their career. This applies to everything: work, money, time, inspiration, sleep, raw materials, you name it. If you aren’t used to that too much/not enough rhythm, the artist’s lifestyle is bound to be too stressful for you.
I think it’s crucially important to find whatever balance you can and establish a boundary system of sorts — despite the fact that being undisciplined is more common to us creative types than the opposite.

Since the last time I posted here, I have fabricated 9 objects, taken a master class, tech edited 4 issues of the magazine and done the never ending onslaught of day job stuff, produced a series of set designs and illustrations for an immersive theater performance, pitched 9 newly created classes and created sample objects for them, packed kits for 3 Tucson classes, taken inventory for the 6 others and formulated a 2016 student needs shopping list for Tucson, traveled to the home office and back, oh, and also dealt with the normal life stuff: house, family, pets, laundry, garden, gym, etc.

Most of this recent wave of stuff has reached the finish line, and I can see an open space on the horizon. Yahoo!

Bring on some famine, because I sure need it now. I look forward to my famine times — however brief they may be — because those are the places of possibility. Where I think, dream, begin and push. I start to build an energy bank for the next wave. Having those calm, empty, famine spaces is essential for me, so I have disciplined myself to black out sections of my calendar specifically for the purpose of having open space. I may or may not go anywhere or do anything particular during those times, but if I don’t create that space and protect it from intruders, I know I will self destruct.

So here is a trick for you — if you are also a member of the feast or famine crowd. Trust me and try this. The crazy holidays are coming. Don’t feel guilty, just do it. Block off three days of your choosing and then don’t let anybody schedule you for anything. Except you. Guard those three days and see what happens to your head when you know they are there to depend on and that you can trust yourself not to surrender them to anything or anyone. And then, once you have spent those three days doing exactly what you felt like, take a look at how proud of yourself you are for defending your right to open space.

Then, make a habit of it.

See you next time!